pH 2013 - Bibliografia - Guerra

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n. 2, luglio-dicembre 2013
n. 2, July-December 2013

Bibliografia supplementare - Supplemental references

Film-physiology
Film-physiology

Michele Guerra

- Alovisio S (ed.). L’occhio sensibile. Scritti su cinema e scienze della mente nell’Italia del primo Novecento. Torino: Kaplan (in press).
- Anonymous. Moving picture as a brain rest. The Moving Picture World 1909; 20(4):625.
- Anonymous. Facts and comments. Moving Picture World 1911; 12(10):948.
- Artaud A. Del meraviglioso. Scritti sul cinema. Roma: Minimumfax, 2001 [English edition: Artaud A. Collected works. Volume three. London: Calder and Boyars, 1972].
- Auerbach J. Body shots. Early cinema incarnations. Berkeley and Los Angeles: University of California Press, 2007.
- Cartwright L. Screening the body: tracing medicine’s visual culture. Minneapolis: University of Minnesota Press, 1995.
- Casetti F. L’occhio del Novecento. Cinema, esperienza, modernità. Milano: Bompiani, 2005. [English Edition: Casetti F. The eye of the century: film, experience, modernity. New York: Columbia University Press, 2008].
- Cummings W. The Use of moving picture as a remedial agent. Moving picture world 1909; 20(4):626.
- Cutting JE, Brunick KL, Candan A. Perceiving event dynamics and parsing hollywood film. J Exp Psychol Hum Percept Perform 2012; 38(6):1476-90.
- D’Abundo G. Sopra alcuni particolari effetti delle proiezioni cinematografiche sui nevrotici. Rivista italiana di neuropatologia, psichiatria ed elettroterapia 1911; 10:433-42.
- Deleuze G. Le cerveau, c’est l’écran. Cahiers du Cinéma 1986;380:24-32
- Ejzenštejn SM. Il montaggio delle attrazioni cinematografiche. In: Il montaggio. Venezia: Marsilio, 1986: 227-250 [English Edition: Eisenstein SM. Writings 1922-1934. Selected works Vol. I. Bloomington: Indiana University Press, 1988].
- Foà C. Movimento e cinematografia. Secolo XX, maggio 1907.
- Gallese V. Embodied simulation: from neurons to phenomenal experience. Phenomenology and the Cognitive Sciences 2005; 4:23-48.
- Gallese V, Guerra M. Embodying movies: embodied simulation and film studies. Cinema: Journal of Philosophy and the Moving Image 2012; 3:183-210.
- Grodal T. Moving pictures: a new theory of film genres, feelings, and cognition. New York: Oxford University Press, 1997.
- Grodal T. Embodied visions: evolution, emotion, culture, and film. New York: Oxford University Press, 2009.
- Hasson U, Furman O, Clark D, Dudai Y, Davachi L. Enhanced intersubject correlations during viewing movies correlate with successful episodic encoding. Neuron, 2008a; 57(3):452-62.
- Hasson U, Landesman O, Knappmeyer B, et al. Neurocinematics: The Neuroscience of Film. Projections, 2008b; 1(2):1-26.
- Hoffman HF. Cutting off the feet. Moving Picture World, 1912; 1(12):53.
- Magliano JP, Zacks JM. The impact of continuity editing in narrative film on event segmentation. Cogn Sci 2011; 35(8):1489-517.
- Mecacci L. Ejzenštejn e Lurija. Bianco & Nero 2011; 569:100-5.
- Morel J. Le Docteur Toulouse ou le Cinéma vu par un psycho-physiologiste (1912-1928). 1895, 1895 - Mille huit cent quatre-vingt-quinze. Revue de l'association française de recherche sur l'histoire du cinéma 2010; 60:123-25
- Ponzo M. Di alcune osservazioni psicologiche fatte durante rappresentazioni cinematografiche. Atti della Regia Accademia delle Scienze di Torino 1911; XLVI:3-8.
- Randall K. Rise of neurocinema: how hollywood studios harness your brainwaves to win oscars. FastCompany, 2011 February 25. Consultabile alla pagina internet: http://www.fastcompany.com/1731055/rise-neurocinema-how-hollywood-studios-harness-your-brainwaves-win-oscars
- Seligmann R. Cinematografo e sogno. Bianco & Nero 2006; 556:51-5.
- Singer B. Modernity, hyperstimulus, and the rise of popular sensationalism. In: Charney L, Schwartz WR (eds). Cinema and the invention of modern life. Berkeley and Los Angeles: University of California Press, 1995.
- Smith G. Film structure and the emotion system. Cambridge: Cambridge University Press, 2003.
- Smith TJ. The attentional theory of cinematic continuity. Projections 2012; 1(6):1-27.
- Smith TJ, Levin, D, Cutting J. A window on reality: perceiving edited moving image. Current Directions in Psychological Science 2012; 21(2):107-13.
- Thorn Haines R. Animated photography: the principles and advantages of double projection. Moving Picture World 1907; 2(1):37-9.
- Toulouse E. Psychologie du cinema. 1895 - Mille huit cent quatre-vingt-quinze. Revue de l'association française de recherche sur l'histoire du cinéma, 2010a; 60:125-31.
- Toulouse E. La biocratie. Le cinéma. 1895 - Mille huit cent quatre-vingt-quinze. Revue de l'association française de recherche sur l'histoire du cinéma, 2010b; 60:131-37.
- Toulouse E, Mourgue R. Des réactions réspiratoires au cours des projections cinématographiques. 1895 - Mille huit cent quatre-vingt-quinze. Revue de l'association française de recherche sur l'histoire du cinéma 2010; 60:138-44.